This Floating Excrement Was Far Too Symbolic! It's the TV Disappointments of the Past Year.

As we consider the TV landscape of the past year, a handful of shows emerge not for their brilliance, but for their spectacular failures. Ranging from awkward sequels to bafflingly poor documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Burdened with dreadful writing, painful character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to justify its existence. Briefly, as the final season began, it seemed as if it had at last hit its stride. Then arrived an installment all about Seema’s natural deodorant. Little surprise the creator declared this would be the final season. It concluded on a low point; the closeup of Miranda’s toilet full of poo was simply too on-the-nose. Yet, fans undeniably had a hoot picking apart every single “what on earth?” moment. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who couldn't let out a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this drama's issues. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to start enumerating the flaws. The laughably wooden writing? The tedious glorification of affluence and materialism? The seemingly wilful parade of tropes? Performances so bad they felt almost spiteful? Let’s just say “all of the above” and forget about this series again. Except, a new season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse claims and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have gleaned it from this three-part docuseries which chuckled along at Sheen’s various bouts of self-destructive excess while struggling to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any sympathy this series might induce should be saved for the people who have had to suffer proximity with this charismatic but flippant narcissist.

The Supercomputer Drama

Naturally we knew it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy characters meeting in deserted boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing accents. But there were plenty of other issues. Mainly that it was just profoundly boring; a conflict over drug-selling territory between various London picaresques which seemed rather simplistic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into twee lifestyle as deliberate provocations. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a homeware catalogue come to life; a meme for evening drinks with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by immense, mostly unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be said about regarding Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this three-part series opted not to say them. Rather, the experience was akin to consuming a marketing brochure. She obviously has good reason to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this cagey non-event of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too confusing to detail what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to emulate something way beyond it.

The Lena Dunham Romcom

How do you follow a show that defined a generation? The pressure was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the abundance of famous friends involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd recruitment of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be handled with care. Rather, the series laboured awkwardly to find the right voice, lurching from oddly jaunty, somewhat mannered farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Absolutely.

Prime Target

We love the lead actor … but did we buy him playing the greatest maths genius since, a man so smart he’s on the brink of a breakthrough that could destabilise society? No! This international thriller about secret services targeting – and eliminating – intellectuals frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality notorious for sexual escapades as she undertook her biggest feat yet. What on earth would possess her? What we wanted was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was horrific imagery and zero interrogation of her infamy whatsoever. And to think, the filmmaker has a young daughter too.

Kevin Smith
Kevin Smith

Elena Voss is a city culture writer and urban explorer who uncovers the hidden gems of metropolitan life.